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August 29, 2011

Malaysian Open Dancefest 2011

The Malaysian Open Dancefest is an event I’ve always looked forward to, eversince it first started in 2009. Sanctioned by the International Dance Organization (IDO), it is one of the biggest multi-genre dance competition in Malaysia, including line dance, belly dance, and street jazz. This year it’s even more exciting with the inclusion of latin and ballroom dance.

I look forward to it not only as an observer, but as a competitor.

This year is the 3rd year MODF is running, and as usual I signed up for as many events as I could cope with. I signed up for the individual belly dance novice open and crystal, and the individual line dance novice open and crystal. I was hoping to be able to do better than my score last year : quarter-finalist for belly dance novice open (after fighting in 2 preliminary rounds), 5th place belly dance novice crystal, and 3rd place in both line dance novice open and crystal.

In case you’re wondering, the term “crystal” is a nice way of describing the age category of 30-45 years in this competition. Hey, *I* like it. :)

I was getting butterflies in my stomach by Friday (the day before the competition), and I could not wait for the competition to arrive. So… here’s what happened from my point of view when the big day finally came.

BELLY DANCE

The individual belly dance novice open was scheduled to be the opening event of the competition, and given that my tag number was a single digit (#9), I was in the first heat, and I was literally the first dancer to step onto the floor competitively that day.

Belly dancer

Belly dancer

I didn’t do so well in belly dance this time, unfortunately. This is probably because the contingent was even bigger – there were almost 60 participants in the belly dance novice open! Out of which only 24 were selected for the semi-finals. It was too tough a fight for me, especially since I don’t even take belly dance lessons. I didn’t get through to the next round, which was the quarter-finals.

For the belly dance novice crystal, it wasn’t easy either as there were more than 20 participants. I literally jumped for joy when I found out that I made it to the semi-finals!

The semi-finals was not an easy round for me; not only because the other participants were talented – which by the way, included one gentleman – but also because I had no breathing time after my line dance novice open preliminary round. It was all I could do to change into a whole different costume, try not to get anything tangled, catch my breath, and run almost straight back onto the floor for the semi-finals.

If I was happy for getting into the semi-finals, imagine how I felt when I found out I made it for the finals!

The finals was held that night, and fortunately I had some time to rest before the night events resumed.

The finals for the belly dance crystal was held almost in the same fashion for me as the semi-finals – straight after my line dance finals, out of one costume into a completely new one, and running almost straight onto the floor again.

Now, for the results : I got 6th placing. I’m quite satisfied with it as the fact I got into the finals already pleased me. It was an honour to dance with such talented belly dancers in the finals, some of whom I know made it to the belly dance novice open category too.

Individual belly dance novice crystal winners

Individual belly dance novice crystal winners

LINE DANCE

The line dance genre also saw greater participation this year compared to last year. And looking at the participants while we were waiting in line to go on the floor, I realised I was one of the oldest (I’ve found out that I AM the oldest. Damn. Now I feel old). Of the 9 dancers competing in the preliminaries, only 2 of us (including myself) were eligible and were going to compete in the line dance novice crystal. I was literally fighting with people half my age, give or take.

I was simply ecstatic when I found out that I was one of the selected 6 to make it to the finals for the line dance novice open!

For those who are unfamiliar with line dance competitions, individual line dance categories have pre-selected songs and choreography, which means that all dancers in the same category must dance the same choreography to the same song. The only thing we can change is the styling (e.g. hand placements). The dances and songs selected for the novice open and crystal were the same: Burlesque, which is a tango piece; and Twist With The Fat Boys, which is a novelty dance. They’re quite tiring dances, especially the second dance. I can tell you from personal experience.

The line dance novice open was scheduled to be the opening event for the night, and I was probably going to be the first competitive dancer to open the competition again. However due to some changes in the day line-ups, we became the second event that night.

Because the line dance novice open finals were held quite early (about 6pm) which was before the dinner was served and before the formalities of speeches and such, the hall was quite empty. And honestly speaking, the few who were already there were not very encouraging as they barely smiled or clapped during the competition, no matter how well the dancers danced. However, I did not let that stop me as I was here to compete, not entertain. I pulled out all the stops and gave the two dances my all.

The line dance novice crystal finals was held a little later, after the formalities and after dinner was served. By then, the hall had already filled up to maximum as all the ticket-holders were already present and were enjoying their dinner, although the temperature in the hall barely rose. Did I mention how cold the hall was? It was freezingly cold!

The line dance novice crystal had five participants and hence was straight to finals, but please don’t think that it made it any easier. The other participants were obviously prepared, with beautiful latin dresses and pretty heels.

Anyway, the audience now were certainly far more encouraging. It always makes it easier for all competitors to do well when they have positive feedback. It was heartwarming to see people smile back when I gave them the “arrogant” nod during the tango (they obviously knew that I was merely in character, and I’m not really a snob). And apparently I shocked a lot of people (in a good way) when I took the long black skirt off after the tango piece and appeared in short little red number for the twist. It surprised me, considering I did the same for the novice open categories, and I wasn’t the only one. It was probably because I was the only one to do so during the crystal finals.

Dancing to "Burlesque"

Dancing to "Burlesque"

A complete change of character was necessary for the twist. It was a fun dance, and I certainly had a lot of fun with the dance. I-Vee told me that some of my moves were very cute, and people actually laughed when I executed them. And when she shouted my tag number (in support), they shouted it with her. I made fun faces at the crowd with every move; and many of my friends told me that they loved my facial expressions because they were so fitting with the song and were not at all static.

Doing the hip bump in "Twist With The Fat Boys"

Doing the hip bump in "Twist With The Fat Boys"

As a competitive dancer, I cannot describe to you how heartwarming it is to have people cheering you on, especially when they don’t even know you and is only probably seeing you for the first time; to see them watching you (instead of watching another dancer) with big smiles on their faces; and to have random strangers stop you after the dance was over and tell you what a great job you did, and that they hope that you win. I experienced it all that night. It is a feeling I will cherish for a very long time.

I hope you don’t think I’m boasting, because I’m not. I did not expect any of that, and when it happened, it was such a pleasant surprise.

I really couldn’t wait for the results, and yet when the prize-giving was finally conducted, I did not want it to happen.

For the line dance novice open, I was hoping (but not expecting) to get a podium finish. And… I did!!! I got 3rd place!!! It was certainly a shock for me, because as I had mentioned earlier, all the other finalists were about half my age!

Individual line dance novice open winners

Individual line dance novice open winners

The biggest and best surprise was yet in wait for me. I was holding my breath when they were announcing the individual line dance novice crystal winners.

Individual line dance novice crystal winners

Individual line dance novice crystal winners

I was announced as the CHAMPION for the individual line dance novice crystal category!!!

This was the first time I’ve broken that ceiling… all the while the highest I’ve ever gotten was second place as an individual dancer. I’ve gotten first place before in team events, but not for individual events.

I hope this will not be the last time!

Thank you to all the people who have supported me and believed in me all this while! I could not have done it without your support!

Special thanks to I-Vee and Christian for coming to support me at the competition even though I didn’t ask you to.

And my utmost gratitude and appreciation must be given to my sifu who has never given up on me – Bronya Bishorek!

Congratulations to ALL winners of the Malaysian Open Dance Fest! Thank you to the organisers for a job well done!

And… I haven’t told you the kicker yet. I was actually not feeling well throughout the whole competition. I’ve been sick since Monday, and in spite of my efforts, I wasn’t able to recover in time for the competition. In fact, as I’m typing this, I’m still coughing my heart out. So… yes, I’m very proud of what I’ve achieved in the competition.

Here’s a video someone took of the individual novice open finals. I haven’t found a video of the individual novice crystal finals yet. I did buy the competition DVDs that a professional videographer took that night, but I will not upload the videos because that would be copyright infringement.

I’ll post a link if I can find the video of my winning dances! In the meantime, see if you can spot me in the video below. Enjoy!!

May 25, 2011

My Dance Competition in Melaka

Last weekend I took part in a local dance competition organised by the Melaka Tengah Line Dance Association (MLTDA) with Dataran Pahlawan Megamall, Melaka. It was a bit scary because I went down all on my own – without any supporting team including my coach. I did have a friend in Melaka who showed me to the venue – she was the one who told me about the competition.

I didn’t realise how friendly the Melakans were. When I arrived, there were many ladies who recognised me (both from previous competitions as well as from Facebook) and gave me a very warm welcome.

The competition was divided into two age categories : Under-45 and Over-46. I was in the Under-45 category, of course, and unfortunately because the age group was so big, it meant I could even be competing against people half my age. Well, I didn’t, but some of the participants were little more than half my age.

There were nine of us in my category, and we had to dance two dances: In Love, which is a smooth dance to a chacha song, and Fashion, which is a sexy funky dance. Initially the organiser wanted to only have just the one round for both age categories; but the head judge, Alvin insisted there should be a finals round. This is because with that many participants (9 in the Under-45, and 7 in the Over-46), he felt that they would not be able to judge fairly in such a short amount of time.

Dataran Pahlawan is quite a nice shopping mall. The problem is, the venue was in the concourse which was round. For a line dance competition, it is terrible to have to dance in a round venue because line dances are usually danced in a square or rectangular area due to the “wall” concept.  Everything was round there – the tiles, the balconies in the higher floors, everything! There was no marking to help the dancers figure out their “walls”.

Given the competition that I had to face, my aim was to get only to the finals. I heard they initially wanted to choose only five, but they chose six – competition must have been that stiff! As they were calling out the numbers, I held my breath while waiting for my number to be called… and when it was, I actually leapt from my seat up, onto the dance floor.

After the competition, I just sat around listlessly waiting for the results. There was social line dancing between the competition, but I didn’t join the dancing because I don’t know any social line dances… I only know the dances needed for a competition.

They announced the results for Over-46 first, and then the Under-45. For this competition they only announced the top 3. When the emcee called my number for third place, I was honestly quite and pleasantly surprised. I didn’t expect it!

Second place went to Cindy Lee, and first place went to Jovial Lim, both from Seremban, and both very deserving wins!

Here are some of the videos uploaded by the lovely ladies who watched and supported us in Melaka.

I’m in the leopard print dress (tag 08), Cindy is in the blue dress (tag 04), and Jovial is in the yellow-green dress (tag 07).

First Round: In Love

First Round: Fashion

Finals: In Love

Finals: Fashion

May 15, 2011

How To Choose A Dance or Fitness Class That Is Right For You

The other day I went for a fitness class which had both cardio workouts and conditioning sessions. (For the uninitiated, conditioning sessions usually mean sessions where we do a repetitive movement, meant to build stamina and/or muscles of a particular body part. For example, crunches to gain abdominal muscles, or “abs” for short.) During one of the conditioning sessions, I noticed that a girl in my class was doing a particular exercise completely incorrectly, and as a result after that exercise, her back was obviously hurting her.

What distressed me about that class was that the instructor had not corrected her. It wasn’t even as if it was a large class at that time; there were only seven of us. I could see that he saw that she was doing it wrongly, but instead of going to her personally and telling her what she should be doing, he merely demonstrated the correct method again in front of her, saying several times, “Watch!” It was completely ineffective as this was while she was doing the exercise (which had us on the ground face down), and she could hardly be watching while she was working out. Plus, she was doing what she thought she saw, which was one of the worst yet common mistakes that a beginner always make, so yelling at her to “Watch!” isn’t going to make her get it right.

I waited until there was a break in the class where the instructor stepped out for a moment, and went over to talk to her about the exercise that was done incorrectly. I’ve injured my back before, and I didn’t want anyone else to have to go through the same thing, and I couldn’t simply sit by and watch someone hurt themselves when I know I can help in one small way.

I’m not a fitness expert, and I’m hopeless when it comes to understanding how body parts are interconnected. After all, I am a Physics teacher, and I admit I do not like Biology (even though I scored an A for SPM. Hehe, sorry, can’t help but to boast a little in there). But having attended several fitness and dance classes over the past few years both under good and not-so-good teachers, I’ve learnt quite a fair bit about how my own body works and what I should or shouldn’t do, especially when I have a curve in my spine.

Being lucky enough to learn under one of the best dance and fitness instructors I’ve ever known, I learnt about how to correctly position my body when executing a move both for dance and fitness. She herself had suffered from many injuries and broken bones, and knew how to tell us how to avoid hurting ourselves.

Hence, for this blog post, I’ve decided to come up with a list on “How to choose a dance or fitness class that is right for you.”

Note: By fitness class, I mean any classes that are designed to increase your health and fitness level. These kinds of classes include and are not limited to yoga, pilates, jazzercise, martial arts, cardio dance, resistance training, and even dancing.

In the following list, I always say “studios or teachers”. I include the term “teachers” here because some teachers are not committed to a studio; in fact many teachers teach in a variety of studios or gyms, or even teach independently in community halls or their own homes. Some teachers can also be called to come over to teach a private class in offices (for the staff clubs) or private clubs. Instructors mean the same as teachers in this case.

  1. Always ask for a trial class. Never commit to an entire month or course worth before trying the class, if you can help it. Most studios or teachers always allow you to attend one trial class. Sometimes, trial classes cannot be offered because the classes offered are only for a short period of time, usually by visiting foreign instructors, and they need you to pay up front as a commitment fee as spots are usually limited.

    Trial classes are great for you to see if the class is right for you. It allows you to get a feel of the dance or fitness style if you’ve never tried it before, and see if you enjoy it enough to continue. Even if you may have done this particular dance or fitness style before, it lets you assess the teacher and see if you like the way he or she teaches. In addition, it also lets you find out if the level of the class is right for you; sometimes you may have inadvertently joined an intermediate or an advanced class when you are a true beginner; or if you thought you were a beginner but you’re good enough to advance to a higher level class. Some places offer free trial classes; however most teachers or studios typically charge a trial fee which is for that one class you attend.

    However, if the class is an ongoing class or requires a long-term commitment and they are reluctant to give a trial class, this should be a warning signal. You wouldn’t want to plonk down a large amount of money in advance commitment, only to find out you don’t like the class, or if the class isn’t right for you.

    I speak from experience, because I signed up for a yoga class with an independent teacher whom everyone assured me was good, only to regret having paid a whole month’s worth in advance because I found the teacher far from good. If I had asked for a trial class, I’d have saved my money and energy (I forced myself to go for the remaining classes because I paid for them).

  2. Ask, ask, ask! If there is anything you don’t know, ask the teacher! Don’t think you can figure it out on your own, or ask your friend. You’re paying the teacher for a reason! Does the teacher welcome your questions? If the teacher doesn’t like you asking questions, it is probably because he or she can’t answer them. Another warning signal.

    Of course, the questions you ask should be related to the class; not “what time do you get off work?”

  3. Monkey See, Monkey Do? Bad Idea. Dance and fitness classes should ideally never be “monkey see, monkey do”. This means that all the teacher does is stand in front and demonstrates the moves, and all the students merely imitate the movements.This is bad in so many levels, because some people do what they think the teacher is doing. The problem with this is that if you are not familiar with the move, what your eyes see and what your body is doing can be two completely different things. The best that could happen is you merely step the wrong foot in the right direction; the worst that could happen is that you injure a muscle because you used it incorrectly in an attempt to imitate the teacher.

    The only times where it is acceptable for classes to be conducted in a “monkey see, monkey do” fashion are:

    1. The class consists of advanced students who already know how to execute the moves correctly.
    2. The classes are too large, and the teacher does not have time to go from student to student or group to group.

    However, in either case, it doesn’t mean that the teacher does not need to explain how to execute the moves correctly. He or she should still explain how the movement should be done so that each individual is able to execute it correctly without the teacher observing them. Merely demonstrating without explanation and expecting the students to follow is a terrible way of teaching, especially when the particular type of dance or fitness has great potential for injury.

    I’ve seen teachers who handle large classes (especially during a large workshop) still go around to demonstrate and explain the steps correctly so that those who are standing at the back of the class do not miss out or misinterpret what was taught when the teacher was at the front of the class.

    Remember that yoga teacher I mentioned in point 1? She was a “monkey see, monkey do” teacher. It shocked me because even though it was my first time attending yoga, I knew that good teachers would go around to correct the positions of the students to ensure that they were doing it correctly. All I saw this particular teacher do was sit in front of the class and do the moves and expected us to follow. In fact, several times during a class, all she’d do is just wave her hands at us to ask us to get our legs “higher” or to press our bodies “lower”. She never once explained how to execute the move, or observe us to make sure we were doing it correctly. For example, there’s this move which required us to sit on our bottoms while gripping our big toes with our fingers, and we were supposed to sit with our bodies and legs in the air. Back then, I wasn’t a yoga expert, but I knew enough (through my dance classes) that this move should be executed with a straight body and if possible, straight legs. Many of the students in the class had curved their backs and their legs were bent, in an attempt to get their legs higher and to try to balance their bodies. Did the teacher correct them? No. She merely waved her hands to signal us to get our legs higher.

  4. Explain and demonstrate. Can the teacher show how the move should be done correctly? If the teacher says, “Do a leap in the air,” can he or she do it? If he or she can’t, can he or she at least explain how to get it done?

    We often get very impressed by someone who can do amazing things. Some dancers have a natural born talent which enables them to look fantastic when dancing without seeming to try. Some yoga practitioners can do impossible-looking movements we never thought was possible to be done by the human body. Some people win competitions all the time, because they’re just so good at what they do. But that doesn’t mean they can teach. Being good at something doesn’t mean they can tell someone else how that person can do it too.

    It is rare to get a teacher who are good at both – i.e. good at executing the moves, and teaching you how to execute the moves. But if you do find such a teacher, then that teacher is a gem worth sticking with. When a teacher is able to show the correct way to execute the moves, you will at least have a visual on how it should look like so you can check your own movements; and when the teacher tells you how to execute the moves, you will know how to get there.

    However, sometimes there are teachers who may not be able to execute the moves. The important thing is that they are able to explain the moves, and can watch you and correct you until you get it right. These teachers sometimes can’t execute the moves because they may have had an injury that prevents them from executing the moves. Or they may not have the flexibility or strength required (possibly due to age), but they recognise that you do.

  5. Never take someone’s word for it. Just because someone tells you that the class is good doesn’t mean that it’s the right class for you. Always go for a trial class and assess for yourself.This is because someone’s perception of “good” could be very different from yours; or perhaps this person has not attended enough classes elsewhere to know what the right way is.

    Again, with reference to the yoga class I had signed up for. It was a teacher my friends got in to conduct yoga as a private class, and they had been with her for over a year, and assured me she was very good. That was why I signed up for the class without asking for a trial. To my utter dismay, in spite of it being the first time I was attending yoga, I found the teacher to be a terrible one (read the example of the class in point #3). Upon further prodding, I found that many of them had never attended other yoga classes, and the one person who had, had suffered from an even worse teacher (which makes this teacher fantastic by comparison).

  6. Does the teacher know and understand your limits? This normally comes with experience, both from the teacher’s personal experience of executing the moves, and also experience from teaching. Different people have different capabilities. Some people are more flexible than others; some have injuries in different parts of their bodies; some have an imperfection in their bodies (like flat footedness, spine curvatures, vertigo, etc). This means that there are certain things that some people can’t do, and the teacher needs to recognise and must know how to get around it, if it can’t be overcome.

    For example, a friend of mine has been dancing since she was a child and is quite flexible due to her ballet training. She joined a yoga gym and because of her flexibility, executed many moves very well. However, one day she wasn’t quite warmed up enough, and while doing a stretch, the teacher who was walking around came over and pushed her lower, causing her to overstretch and injure her leg muscles. She was furious and asked why he pushed her, and he told her in an irreverent manner, “Well, you look like you’re flexible enough to do the move.”

    Any basic fitness practitioner should know that you never suddenly push someone during a move because it may cause unnecessary injury. They should always apply a slow and steady pressure until they find that the person cannot stretch any further.

    A teacher must be aware of the limits that the students face, and mustn’t make the students do beyond what they can do if it can cause injury.

  7. Pains vs aches. A teacher must be aware of the students’ limits, but that doesn’t mean that the teacher won’t keep pushing! There is a HUGE difference between pain and ache.

    This is something that most people who are new to dance and fitness aren’t aware of, but is common knowledge to the veterans. Or at least, it should be.If something hurts and causes pain, that means you’re doing something wrong, and it’s time to stop! This could be because you’re not doing a move correctly. For example, if you feel a pain in your lower back, it might be because you are using your back muscles instead of your abdominal muscles, which can cause serious injury to your back. Sometimes, even if you are doing a move exactly like how your teacher explained or demonstrated, but it still hurts. This could be due to an injury or a deformity you have. For example, I have a curve in the spine which prevents me from doing certain moves that others can, and if I force my body to execute the move anyway, I can hurt my back. In this case, normally a good teacher will provide an alternative to achieve the same goal.

    However, if something aches, it feels like it hurts but it merely is because the muscles you are using have never been forced to work so hard! For example, for people who aren’t flexible, when they stretch their legs, the back of their legs seem to be hurting but actually they’re merely aching. In this case, you need to continually push yourself because you won’t improve if you don’t.

    Your teacher should be able to explain the difference between pains and aches, and should be able to know when to keep pushing you to do better. I have attended classes by teachers who are supposed to be experienced, but do not seem to understand the difference between pains and aches. They’d merely say, “If it hurts, stop!” without realising that it might merely be an ache due to an under-used muscle.

  8. Don’t rush. Some teachers will speed up a class or ask you to try a difficult movement just to make you feel like you have improved so much. Oftentimes it is because you have improved and can cope with the quicker lessons or more advanced moves. But you need to also be aware of your own limitations. Have you really mastered the easier versions of the moves? When you do the more advanced moves, are you able to do them without hurting yourself?

    Be careful, because some teachers may skip to a more difficult move just to make you feel like you have advanced so much, but in reality it is a cut-price version that won’t help you get anywhere, or even worse, cause injury.

  9. Understanding of the lifestyle changes, nutritional requirements, and the human body. Nowadays, it is very rare to find fitness teachers who can also guide you on your lifestyle change and nutritional requirements. And by lifestyle change, I don’t mean “You need to come to the gym three times a week.”

    Is the teacher able to guide you on how you should change your lifestyle to a healthier one? Is the teacher able to discuss your health problems and suggest some nutritional supplements or food changes? A fitness instructor is not a substitute for your doctor, but he or she should be able to give you some basic guides about how to make yourself healthier.

    In addition, since you are going for fitness classes to make yourself healthier, your teacher should be aware of the human body. If something hurts, he or she normally would be able to speculate a guess as to why it hurts. I repeat, your teacher is not a substitute for a doctor and if something really hurts, then go and get it checked! But generally if you’ve executed a move and it hurts, your teacher will normally be able to identify what you did wrong and what you should do to avoid it hurting. And if it hurts due to an old injury or imperfection, then your teacher should be able to provide an alternative move to achieving the same goal.

    Again, remember the yoga teacher I mentioned earlier? Yes, I know you’re tired of reading about her, but there are so many things wrong with that class! Prior to joining that class, I had overstretched and hurt my hamstring muscles, and was not able to walk properly (much less dance) for a few months. When it recovered, I did not have the same flexibility I used to, and was too afraid to stretch it beyond aching point (it’s a psychological thing). So when I went for the yoga class, I refused to do certain moves because I was afraid of hurting my hamstring muscles again, to which the teacher would look at me with disdain. And when I described the pain, she said I didn’t injure my muscles, I had injured my cartilage.

    I was flabbergasted. Wasn’t the cartilage in the joints? It was the back of my right thigh that hurt.

    In another example, I once signed up for a gym membership and I received two complimentary Personal Training sessions. The Personal Trainer only knew the basics of fitness and how to use the gym equipment; but when I told her I had a spine curvature, she didn’t seem to know what to do with the information. And when I used one of the gym equipments and felt a pain in my shoulder blade, she couldn’t tell me what was wrong nor what I should do to correct it.

    But of course I have had good teachers. During a jazz dance lesson, I once hurt my back doing a particular move due to the curve in my spine. Because of that, once I recovered, my teacher purposely made the whole class change the move in the choreography just to prevent me from hurting myself.

I know it sounds like I’ve had a host of bad teachers, but I have also been fortunate enough to have had excellent teachers. In fact, I’d probably say that having excellent teachers have “spoilt” me… meaning, I cannot attend another dance or fitness class without comparing the teacher to my excellent teachers. And if the teacher fails to measure up, I normally never stay for the class.

There are plenty of dance and fitness teachers out there, some better than others, some who don’t even deserve to call themselves teachers. If you’re lucky, you get the some of the best teachers in the industry. But that doesn’t mean you should give your teacher up! I’ve had some good teachers who although may not be able to explain a move very well (because of the lack of teaching experience), but did their best to try to get me to understand until I finally got it.

Part of the reason as to why there are so many teachers and instructors who aren’t very good out there is because many of them are mass produced. Years ago, in order to qualify as a fitness instructor, one needed to take a course to learn not only about how to execute the moves, but also to learn about the human body and about nutrition and food. But today there are many “fitness instructors” who receive their certificate after attending a course for a few months, and the only thing they can do is demonstrate a particular choreography.

Don’t get me wrong. I’m not saying that all teachers who go for a short course are not good. There are some teachers who already have a very good understanding of health and fitness even when they attend the short course. And of course, it depends on what they are teaching. Line dance teachers for example, are required to only teach the choreography in class; they aren’t required to teach technique or execution. There are still a few who do teach technique, because of their desire to ensure the students execute the moves well. But at the same time, I have also heard of students who have left a class because “all we want is the steps, why did she bother talking about technique?”, so I do understand the mechanics of the class is designed to match what the students want. But still, that doesn’t mean that the teacher can’t explain basic technique, especially to prevent injury to the knees and back (which are the most common injuries due to poorly executed moves).

I know this is a very long post, and it will certainly surprise me to know you have read it to the end! I’m not a dance nor fitness teacher, but I thought would like to share with you about my experiences, especially since it’s distressing to see how a lot of people end up hurting themselves because they followed a teacher whom they thought was very good, but is honestly, to say it bluntly, rubbish.

Thanks for reading!

September 5, 2009

This week’s roundup

I feel like a deflated balloon.

I’ve always enjoyed training for dance competitions. Even if the outcome isn’t fantastic, even if I don’t make the break rounds, even if I flop, I still enjoy the training nevertheless. That has always been the best part of the competitions for me. The medals and trophies attained are just an added bonus. For the MODF, we had practice 3 times a week. Now my nights are free and I get to sleep early, but I’m feeling lost instead…

Well, on the bright side, I met up with three different friends for breakfast/dinner/lunch over 2 days. My social life seems to be on the rise. Hahaha.

Just to fill up space, here’s my bragging rights:

My trophies from the Malaysian Open Dance Fest 2009

My trophies from the Malaysian Open Dance Fest 2009

That’s my trophy for modern jazz individual (2nd), trophy for line dance individual (3rd), and medals for team events (3rd). I’m short of a medal for one team event, because there was a mix-up during the prize presentation, which the organisers haven’t fixed to date.

Here are the photos Pei Ru took during the night of the finals at Shangri-la.

In other news, I dropped my watch! My favourite watch!!! *sobsob* This watch was given to me by my website clients – a very sweet couple who thought of me when they saw this watch. Notice the brand of the watch in the photo below?? Best watch I’ve ever had! No one has ever had a watch with a brand in their name… mind you it’s not custom-made!

I dropped it as I was taking it out of my bag to put it on, and it fell straight onto the floor with a resounding crack. The impact not only caused cracks to appear on the glass front, but some of the diamantes were severely broken too :( :(:(:( Fortunately it’s still running though.

I dropped my watch! Notice the cracks on the glass front??

I dropped my watch! Notice the cracks on the glass front??

So I had to dig out one of my other watches to get the battery changed at a watch shop in One Utama. While the battery was being changed, I showed this watch to the sales assistant and asked if the glass face could be replaced. Admittedly, this isn’t a famous brand and obviously the shop I went to doesn’t carry the brand. The lady just handed it back to me and said, “It’s not worth it to change. Some of the ‘diamonds’ have already dropped off.”

I couldn’t believe how snooty she was. I mean, this watch is important to me for personal reasons, and it’s not some RM20-piece-of-junk picked up from some night market. So I just paid for the battery change and went off. I was actually contemplating buying a new good watch from the shop since they were having a sale, but her attitude completely put me off.

I’ll just have to go look for another watch shop to get it fixed then; probably a family-owned watch shop, if they still exist. Going to watch shop chains are of no use; some shops are so snooty, they won’t change the battery of a watch if they don’t carry the brand. At least if a shop is run by a family, they’re nicer and more willing to do what the customer asks.

Anyway, while I was in Midvalley today, I saw a Swatch roadshow and went to poke around. I asked a sales assistant to show me their waterproof watches (almost all of them are) because I have always wanted to get one for a long time, especially one that I can go swimming with. (Sometimes when I swim at the pool in school, I lose track of time. It would be good to have a watch so that I can check on the time.) She helped me pick out a really pretty and trendy white watch.

My new Swatch watch

My brand new Swatch watch!

Yeeha!!! I haven’t had a watch with a rubber strap for a long time. Come to think of it, I haven’t bought myself a watch for a long time. Some of my watches were either free gifts with items bought, or given to me by friends. My watches in the past few years have all been either metal straps or leather straps. So yay!!! Now I’ve got one I can wear even when I’m exercising or dancing.

And… this is my first Swatch in my entire life!!! Hahaha!!! When I was in school, I’ve always wanted a Swatch because all my friends seemed to have them, but they were pretty expensive and I never worked up the courage to ask my parents to get me one. And I didn’t save for one either, because I felt that it was really too expensive, and I could easily get a working watch for less than half the lowest price of a Swatch. So this is like a childhood wish that’s been finally fulfilled. The only thing missing now is the rubber watchface guard that was the rage back in school.

I consider this my belated birthday present to myself, and my reward for my achievements at the MODF :)

Actually I spotted another Swatch watch that I also really liked; it has a metal strap with crystals in the them. But I can’t afford to buy too many watches :( And I’ve still got to fix the glass on my Zyenn watch.

Pretty good week so far, in spite of the cracked watch. And to top it off, it’s the second three-day weekend in a row! WOOOOHOOOOO!!!!!

August 31, 2009

Crystal Finals

The finals for the line dance individual junior, open, crystal and diamond, as well as the belly dance intermediate individuals of the Malaysian Open Dance Fest were held tonight at Shangri-la Hotel. Today’s competition is the 7th Crystal Dancesport Championships, with various events in Ballroom Standard & Latin ranging from junior under-12 to senior over 55, from beginner all the way through professionals; scheduled to run the whole day from 7am to midnight. The abovementioned finals were to be held for about half an hour at 7pm, at the start of the evening session of the championship.

Initially I was supposed to go over and spend the day there, helping out my coach Bronya (who is the emcee) and basically, to kepoh because I wanted to watch a few people I know compete in the events. Unfortunately – or actually, FORTUNATELY, because I made it into the Line Dance Individual Crystal finals, I knew I could not do so because I had to conserve my energy for the finals. I wasted a whole day today just to get onto the dance floor for two minutes tonight. I wasn’t going to run around doing unnecessary things especially when I wasn’t needed, and tire myself out and blow my chances for a good placing in the finals. The initial plan was made, because honestly… I had not been expecting to get into the finals.

At any rate, personally, I would have preferred it if they just completed all the line dance finals yesterday; but the organisers had their own reasons to put the finals at Shangri-la tonight.

Anyway, so I wasted the whole day today by waking up late, and taking a mid-morning nap, before finally making myself get ready for the competition. I-Vee came to pick me up, and we went to pick Pei Ru up, and then we headed to Shangri-la.

I-Vee herself had also made it into the Crystal finals (same as me), and Pei Ru was coming along to support and help us. Pei Ru helped me with my hair, and also helped I-Vee out with her make-up.

I admit that I was extremely nervous about the finals. I tried to keep moving before going onto the floor, but I was still feeling so cold, especially since I was wearing a short skirt, and I was showing off my midriff.  (Sorry no photos yet, I didn’t bring my camera – have to wait for photos from Pei Ru!) Amanda Leou (the official photographer’s daughter, who is also one of the photographers for the night) told me I looked so moody. It must have been nerves.

Well I gave it my all on the floor, and all I could do was hope it was enough. I did kind of miss my wall for 2 counts, but I caught it back very quickly. Thank goodness there were no variations!!

After that, I was hanging around outside waiting for the results. I thought that the prize presentation was going to be quite early, but we were kept waiting for a while. Our event started about 7.30pm, but by 9.30pm we were still waiting (and dying of hunger). We line dancers did enjoy ourselves for a very brief period, when we went onto the floor during the country march past and did little dance steps instead of just walking around the floor.

In fact, the prize presentation was supposed to be held outside in the foyer so that the ballroom competition would not be interrupted, but for some reason they suddenly changed their minds, and decided to interrupt the competition after all, and have the prize presentation in the hall. When I heard that, I began to fret a little… I didn’t want to be embarrassed in front of everyone if I got last. :(

Actually, to tell you the truth, I really wanted to get into the top six (6 is usually the cut-off for the number of finalists, but this time there were 10). But somehow I wasn’t very confident with the way I danced, so all I kept thinking while waiting for the prize presentation was, “I DON’T WANT TO GET LAST.

Well, I didn’t get last. Or second last. Actually, I kept trying to keep count while the results were announced. Since all ten finalists would be placed, Bronya did announce the placings (“in tenth place… in ninth place…” etc) but I’d keep counting the people who have already been called and were standing by the podium for the photo, just to be sure. I kept losing count because I was so nervous, even while just waiting for the results. I was always expecting my number to be called anytime; I was kind of holding my breath every time a number was announced.

By the time the seventh placed dancer was announced, I was relieved, because that means I did manage to get into top six.

By the time the fourth placed dancer was announced, I was in disbelief.

I could not believe that I got into the top three!!! In fact, by then I knew I got 3rd place – and I was already very happy! I was skipping to get my trophy when my number was finally called. I was not foolish enough to expect any higher because the dancers who got top 2 were very good. I’ve known them for a few years now, and they’re very good dancers, and they have very strong ballroom technique.

It’s been so long since I’ve managed to a podium finish in events with more than 3 contestants… I probably had a bigger smile than the top 2 winners combined!

I know that I’m still not that good, and still have so much to work on… but it’s so great to be top 3 for a change, and to beat so many people!

In related good news, I-Vee got 8th place! So proud of her. She’s come such a long way. She has shown remarkable improvement even from the competition last month, where she had been extremely disappointed in herself for not doing well at all. This time, she managed not only to get into the finals, but to even beat 2 other people. Congrats, I-Vee!

Thanks, everyone for your good luck wishes – I’m sure they really helped me during the competition yesterday as well as tonight! Also, thanks to Pei Ru for helping me out with my hair and my number tags and stuff. And to I-Vee for the effort in fixing up the bling on our shoes and costumes. And to those who came to support us yesterday. But most of all, thank you, Bronya for your patience and for the yelling and for the drilling. There’s no way I could have gotten this far without your constant support and forthright criticism.

Thank you to the organisers of the Malaysian Open Dance Fest for successfully organising a great competition! Looking forward to next year!